Issues : Main-line changes
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b. 59
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composition: Op. 24 No. 1, Mazurka in G minor
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In the main text we give the version written into FES and FED. The remaining sources have the version as in bar 3 and analogous bars. That type of adding variety to the melodic line is very characteristic of Chopin. He introduced similar changes, also as later corrections, in Mazurka in C major no. 2, bars 102-103, and also in other works. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FED , Annotations in FES , Authentic post-publication changes and variants , Main-line changes |
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b. 59-71
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composition: Op. 24 No. 2, Mazurka in C major
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In bars 59, 63, 67 (R.H.) and 71 (L.H.) in A there are traces of deleting the dot extending the crotchet on the 2nd beat of the bar and the quaver flag at the last note of the bar. However, the spatial arrangement of those notes within the bar shows that the initial version of the rhythm was just like the final version – 2 quavers and 2 crotchets. It seems that in the course of his work on A Chopin twice changed his mind about the rhythm in those bars: category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Chopin's hesitations , Main-line changes |
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b. 59
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composition: Op. 28 No. 15, Prelude in D♭ major
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In A one can see that sharps were crossed out before the outer notes of the R.H. chord. The version with a G category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Main-line changes |
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b. 60
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composition: Op. 10 No 1, Etude in C major
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According to us, e2 in CLI is rather the original version of this place than a simple oversight of a category imprint: Differences between sources issues: Main-line changes |
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b. 60
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composition: Op. 2, Variations, complete
category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Rhythmic errors , Main-line changes , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
major chord seems to be shocking here; perhaps Chopin wrote the accidentals by mistake believing that a new phrase follows immediately the section written down in an abridged manner.
2 in 
