mUltimate Chopin

Op. 10 No 1, Etude in C major

Text Compare Notes Sources Description
Page: 
Source: 
p. 5, b. 52-66
p. 1, b. 1-11
p. 2, b. 12-26
p. 3, b. 27-37
p. 4, b. 38-51
p. 5, b. 52-66
p. 6, b. 67-79
Main text
Main text
CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
Select notes: 
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Graphic ambiguousness
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Notation
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Pitch
Rhythm
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Pedalling
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Differences
No differences
CLI - Copy by Linowski
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 64

E-C in CLI

D-B in FE (→GE,EE) 

The version of FE (→GE,EE) adopted in the main text includes undeniable harmonic improvements in comparison with the original text of CLI. Similarly to bars 5 and 60, the incentive to introduce the changes could stem from the willingness to avoid parallel fifths in combination with the next chord.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Main-line changes

notation: Pitch

Missing markers on sources: GE1
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