Issues : Annotations in FED

b. 17

composition: Op. 24 No. 1, Mazurka in G minor

Teaching fingering added in FED and FES

No teaching fingering provided

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Annotations in FES

b. 20

composition: Op. 24 No. 1, Mazurka in G minor

Fingering added in  FED

No teaching fingering given

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 24-25

composition: Op. 24 No. 1, Mazurka in G minor

Fingering added in FED

Fingering added in FES

No fingering provided

..

In the main text we give the characteristic fingering of FED. The entry in FES could mean the same fingering, yet it is more probable that writing one digit only, the '3', Chopin had in mind the natural fingering sequence 3-2-1. 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Annotations in FES

b. 59

composition: Op. 24 No. 1, Mazurka in G minor

Crotchets in A (→GEFE)

Crotchets in EE (without the second slur)

Quavers entered in FES

Quavers and a slur in FED

..

In the main text we give the version written into FES and FED. The remaining sources have the version as in bar 3 and analogous bars. That type of adding variety to the melodic line is very characteristic of Chopin. He introduced similar changes, also as later corrections, in Mazurka in C major no. 2, bars 102-103, and also in other works.

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies , Annotations in FED , Annotations in FES , Authentic post-publication changes and variants , Main-line changes