Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 24 No. 2, Mazurka in C major
In bars 59, 63, 67 (R.H.) and 71 (L.H.) in A there are traces of deleting the dot extending the crotchet on the 2nd beat of the bar and the quaver flag at the last note of the bar. However, the spatial arrangement of those notes within the bar shows that the initial version of the rhythm was just like the final version – 2 quavers and 2 crotchets. It seems that in the course of his work on A Chopin twice changed his mind about the rhythm in those bars:
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Corrections in A, Chopin's hesitations, Main-line changes
notation: Rhythm
