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b. 7
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composition: Op. 43, Tarantella
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In GE1, most probably due to an inaccuracy there is no category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE |
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b. 7-8
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composition: Op. 43, Tarantella
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Slurs in GE and EE are certainly imprecise. This may have resulted from unclear notation of slurs in Fontana’s copies serving as the basis for these editions (where e.g. b. 7 was the last in the first line of the text. However, the way slurs are noted in A leaves no room for doubt as for Chopin’s intention in this place. category imprint: Differences between sources issues: EE revisions , GE revisions , Inaccuracies in FC |
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b. 7-8
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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The slur in those bars is evident in A (→GE1) and provokes no stylistic doubts. The change made in GE2 (→GE3) by analogy with bars 5-6 and 9-10, where the notation of A is not that clear, misses - in our opinion - Chopin's intention. The absence of the slur in FE (→EE) is doubtless a mistake. category imprint: Differences between sources issues: Errors in FE , GE revisions |
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b. 7
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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We add a cautionary category imprint: Editorial revisions |
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b. 7
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composition: Op. 24 No. 3, Mazurka in A♭ major
category imprint: Differences between sources; Corrections & alterations |
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