|
b. 6
|
composition: Op. 28 No. 23, Prelude in F major
..
Nothing indicates that the fingering in EE could have come from Chopin. category imprint: Differences between sources issues: EE revisions |
|||||
|
b. 6
|
composition: Op. 28 No. 21, Prelude in B♭ major
..
In FE the category imprint: Differences between sources issues: EE revisions , Errors in FE , Fontana's revisions |
|||||
|
b. 6
|
composition: Op. 28 No. 21, Prelude in B♭ major
..
The sources do not contain an accidental before the top note of the third on the 4th quaver in the bar, as a result of which it should be interpreted as e-g category imprint: Interpretations within context; Editorial revisions issues: Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
|||||
|
b. 6
|
composition: Op. 28 No. 21, Prelude in B♭ major
..
The crossing-out in A reveals the initial version of the beginning of this bar: category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Main-line changes |
|||||
|
b. 6-7
|
composition: Op. 28 No. 21, Prelude in B♭ major
..
In A the end of the L.H. slur in b. 6, which closes the line, clearly points to continuation, which is, however, absent in b. 7. In this case, it did not result in discrepancies in the remaining sources, since both FE (→EE) and FC (→GE) led the slur to the beginning of b. 7, undoubtedly in accordance with Chopin's intention. category imprint: Graphic ambiguousness; Source & stylistic information |
before the 2nd quaver is misplaced: it should be before the bottom note (g
), not the top one (e
to be obvious in this place.
.