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b.
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composition: Op. 23, Ballade in G minor
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The version of A is most probably a Terzverschreibung, which would often happen to Chopin with a larger number of ledger lines – cf., e.g. the Polonaise in C category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Terzverschreibung error , Errors in the number of ledger lines , Errors of A , Authentic corrections of FE |
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b.
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composition: Op. 2, Variations, complete
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In the L.H. part, Chopin omitted a few necessary accidentals in AsI and A – a category imprint: |
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b.
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composition: Op. 30 No. 4, Mazurka in C# minor
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As in bar 1, the category imprint: |
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b. 0-4
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composition: WN 55, Waltz in F minor
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In the majority of the sources, there are two slurs within bars 1-4: the first one spanning bars 1-2, the second - bars 3-4. The beginnings and endings of the slurs were written imprecisely. AR includes one slur spanning bars 1-4. In CY, the absence of the second slur, within bars 3-4, may be considered a copying inaccuracy. Due to the repetition of the c2 note at the beginning of the Waltz in AE (→CX) and CC, the first slur begins in the upbeat. A similar situation occurs in CY, however, due to the upbeat, we put the beginning of the slur in the 1st bar, contrary to the notation of the copy. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions |
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b. 0
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composition: Op. 26 No 1, Polonaise in C♯ minor
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category imprint: Differences between sources issues: Dedications , GE revisions |
minor, Op. 26 No. 1, 
3.
to b
to f in bar 327 (yet he wrote a cautionary 
in 
