



b. 5-6
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composition: Op. 24 No. 3, Mazurka in A♭ major
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Here and in analogous bars 9-10 our main text repeats the slurring of A (→GE→FE→EE). However, in the editors' opinion it is possible that a longer slur in AI better reflects Chopin's idea of articulation and phrasing in these places. This is supported by the comparison with analogous bars 29-30 & 33-34, where A has slurs corresponding just to the notation of AI. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Triplet slurs |
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b. 5
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composition: Op. 24 No. 3, Mazurka in A♭ major
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A has no pedal release mark in this bar. A comparison with the concurrent version in all analogous bars (9, 29 & 33) lets us regard this lack as a mistake. In the main text, in keeping with the A notation in these bars we supplement the
The mark's placement in AI is not quite clear— category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: GE revisions , Errors of A , Authentic corrections of GE |
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b. 5
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composition: Op. 24 No. 2, Mazurka in C major
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The double bar line that can be seen in A was omitted from GE1 (→FE→EE). As no traces of correcting are visible, this is most probably a mistake. The double bar line was restored in GE2 (→GE3). category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 5
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composition: WN 55, Waltz in F minor
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category imprint: Editorial revisions |
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b. 5
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composition: WN 55, Waltz in F minor
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In F, the 1st beat in the L.H. was extended to a dotted minim. category imprint: Differences between sources |