Issues : Rhythmic errors

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b. 85

composition: Op. 10 No 5, Etude in G♭ major

Minim in A

Semibreves in FE (→GE1GE2, →EE2EE3)

Minims in GE3 (→GE4GE5)

..

Despite the fact that the correct text is actually undeniable, its correct notation in the sources appears only in GE3 (→GE4GE5). The notation of A is unclear in terms of division into voices (hands), which may have resulted in a rhythmic error of FE (→GE1GE2, →EE2EE3). In turn, at the time of adding minim stems in EE4, the G note was omitted. 

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Rhythmic errors , Inaccuracies in A

b. 89

composition: Op. 10 No 8, Etude in F major

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A quaver flag was omitted in the 1st note in the R.H. in FE. This patent error was corrected in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Rhythmic errors

b. 89

composition: Op. 26 No 2, Polonaise in E♭ minor

..

At the end of the bar A has two semiquavers in the L.H., which is undoubtedly a mistake, corrected already in FE1 in all remaining editions.

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Rhythmic errors , Errors of A , Authentic corrections of FE

b. 89

composition: Op. 2, Variations, complete

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As was the case with b. 69, in most sources (except FESB) the syncopated c2 crotchet is prolonged with two dots, which results in an excessive number of rhythmic values – 5 quavers in the bar. The mistake was noticed and corrected (graphically awkwardly) only in FESB.

category imprint: Interpretations within context; Differences between sources

issues: Rhythmic errors , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE

b. 91

composition: Op. 11, Concerto in E minor, Mvt II

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In FE (→EE), the duration of the 3rd semiquaver on the last beat of the bar is increased to a crotchet. Going beyond the beat of the bar, which makes no music sense, must be a mistake – cf. analogous bar 52 where the corresponding note is a quaver. In GE, the prolongation of this note was omitted, probably in order to avoid a troublesome, incomprehensible element of notation. 

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE , GE revisions , Rhythmic errors , Errors repeated in EE