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b. 4
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composition: Op. 28 No. 14, Prelude in E♭ minor
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The 4th L.H. quaver is written in A slightly to low, so as to be reproduced in FE (→EE1) as d category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Inaccurate note pitch in A , Errors repeated in EE |
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b. 4
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composition: Op. 28 No. 15, Prelude in D♭ major
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In EE the minim c1 is mistakenly dotted. category imprint: Interpretations within context; Differences between sources issues: Errors in EE |
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b. 4
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composition: Op. 28 No. 18, Prelude in F minor
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A (→FE) has a cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals , Errors of FC |
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b. 4-5
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composition: Op. 23, Ballade in G minor
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In A, bar 4 ends the line. The slur at the end of that bar very clearly suggests that it should be continued; however, it is not confirmed by the slur in b. 5, which begins over the 1st note in the bar. According to us, it is the slur in b. 4 that is reliable, which is how it was interpreted in FE (→GE,EE). category imprint: Graphic ambiguousness issues: Uncertain slur continuation |
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b. 4
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composition: Op. 23, Ballade in G minor
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In the main text we omit the additional slur over the triplet entered into A – cf. General Editorial Principles, p. 16. The slur was omitted (removed?) already in FE (→GE,EE). In the next bar, Chopin omitted such a slur already in A. category imprint: Differences between sources issues: Authentic corrections of FE , Triplet slurs |
(in spite of a distinct e
before the 7th L.H. semiquaver, a