



b. 4
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composition: Op. 28 No. 12, Prelude in G♯ minor
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In A (→FC) the L.H. part is designated by the •/• mark as a repetition of the previous bar. Similarly the R.H. part in bar 22. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 4
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composition: Op. 28 No. 12, Prelude in G♯ minor
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We add a cautionary category imprint: Editorial revisions; Source & stylistic information issues: Cautionary accidentals |
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b. 4
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In FC there is no accidental before the 2nd semiquaver in the 3rd group. The structure of the figuration and the category imprint: Differences between sources issues: GE revisions , Errors of FC |
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b. 4-18
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composition: Op. 28 No. 17, Prelude in A♭ major
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The majority of the groups of repeated quavers were written in A (→FC→GE) as dotted crotchets provided with quaver tremolos. In A this is how the L.H. in the 2nd half of b. 4, 5, 7, 10-13 and 18 and the R.H. in the 2nd half of b. 10 were marked. A similar situation occurs in FC (→GE) – except b. 18. Such notation is not observed at all in FCI. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 4-5
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composition: Op. 28 No. 17, Prelude in A♭ major
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The range of the slur in b. 4 is unclear in A – it can be interpreted as a slur dragged to the a category imprint: Graphic ambiguousness; Differences between sources issues: Errors in FE , Inaccurate slurs in A , Tenuto slurs |