Issues : Differences in fingering
b. 498-499
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we give the fingering of FED, written probably by Chopin. A different fingering, written twice in FEH (here and in bars 502-503), may also come from lessons with Chopin. In EE, Fontana gives still another fingering, whose authenticity seems to be questionable, since the key place (e in the last triplet) features the 4th finger, much less convenient than the first one indicated in FED. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
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b. 502-503
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composition: Op. 11, Concerto in E minor, Mvt III
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FEH exactly repeats the fingering written in bars 498-499. According to us, it is likely that the entries were performed in the reverse order – Chopin marked the fingering for the second time, which is frequent in his pupils' copies, while the pupil copied it in the first appearance of this figure an octave lower. A fragment of the fingering given in bar 498 was repeated here also in EE. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH |
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b. 660
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we give a fingering that was probably written by Chopin in FEH, essentially compliant with the Chopinesque entry in FED. In this situation, the authenticity of a different fingering, given by Fontana in EE, seems to be out of the question. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |