Issues : Wedges
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b. 34
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composition: Op. 24 No. 3, Mazurka in A♭ major
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GE1 (→FE→EE) has no wedge for e flat1. That oversight of GE1 was corrected in GE2. The wedge is also missing in AI. We base our main text on A. category imprint: Differences between sources issues: Errors in FE , Errors in EE , Errors in GE , Wedges |
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b. 34-35
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composition: Op. 10 No 11, Etude in E♭ major
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In the main text we give the wedges written in A. In the editions they were reproduced as dots. Cf. bars 2-14. category imprint: Differences between sources issues: Wedges |
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b. 34
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composition: Op. 10 No 4, Etude in C♯ minor
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According to us, the dot in FE (→GE,EE) does not give certainty as to which sign Chopin used to mark staccato in [A]. The Etudes and other pieces provide numerous examples of inaccurate interpretation of Chopin wedges. category imprint: Differences between sources issues: Wedges |
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b. 34
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composition: Op. 11, Concerto in E minor, Mvt II
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The staccato dot present in GE is most probably an inaccuracy of the engraver of that edition. category imprint: Differences between sources issues: GE revisions , Wedges |
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b. 35
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composition: Op. 24 No. 2, Mazurka in C major
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What is clearly a wedge in A has been reproduced in GE (→FE→EE) as a dot. The entire Opus 24 has only dots as staccato signs in the first editions. category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |
