Issues : Accidentals in different octaves
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b. 17-19
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composition: Op. 28 No. 22, Prelude in G minor
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In A (→FC,FE) there are no flats lowering d1 to d category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 17-20
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composition: Op. 28 No. 19, Prelude in E♭ major
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In A (→FC,FE) there are no flats lowering D to D category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 17
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composition: Op. 28 No. 18, Prelude in F minor
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In A there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Fontana's revisions , Inaccuracies in A |
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b. 18-19
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composition: Op. 10 No 6, Etude in E♭ minor
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In A (→FE) Chopin omitted the naturals raising B category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Annotations in FES |
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b. 18
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composition: Op. 25 No 10, Etude in B minor
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In GC and EE1 (→EE2) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Omissions to cancel alteration , GE revisions , EE inaccuracies , Authentic corrections of FE , Inaccuracies in GC |
1 in b. 17 and 19. They were added in 
before the bottom note of the L.H. octave. As at the end of b. 15, this patent inaccuracy of Chopin was already corrected in 
was added at the end of bar 18, yet both signs in bar 19 appeared only in 
returning c
in the last chord in the L.H. The sign was added in