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Issues : Fontana's revisions
b. 31
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composition: Op. 28 No. 16, Prelude in B♭ minor
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In FC (→GE), Fontana wrote one pair of signs ( category imprint: Differences between sources issues: Errors in FE , FE revisions , Fontana's revisions |
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b. 32
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composition: Op. 28 No. 24, Prelude in D minor
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In the final part of the roulade (starting from c2), there are no accidentals in A (→FE). The patent inaccuracy was corrected in FC (→GE) and EE by adding the necessary naturals before b2 and b3. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Fontana's revisions , Inaccuracies in A |
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b. 33
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composition: Op. 28 No. 17, Prelude in A♭ major
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In A (→FE) there are only 3 flats before the 1st chord – e category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Accidentals in different octaves , Cautionary accidentals , Fontana's revisions , Inaccuracies in A , Errors repeated in FE |
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b. 34
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composition: Op. 28 No. 8, Prelude in F♯ minor
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The change of the form of grace notes is a typical mannerism of Fontana. In this case, the Chopinesque grace note in the form of a small crotchet is almost certainly an appoggiatura, hence replacing it with a slashed quaver is contrary to Chopin's intention. Possible performing manners with arpeggio: category imprint: Differences between sources issues: Fontana's revisions |
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b. 34
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composition: Op. 28 No. 24, Prelude in D minor
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In the main text we give a trill with a wavy line, although Chopin wrote only category imprint: Differences between sources; Editorial revisions issues: Fontana's revisions |