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b. 2-3
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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According to us, out of two sources based directly on [A] – GC and FE – it is the copy that may convey a more accurate representation of this place in the autograph, since the text in FE is too tightly packed. category imprint: Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins , Errors in GE , GE revisions |
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b. 2
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composition: Op. 21, Concerto in F minor, Mvt II
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In A there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Inaccuracies in A |
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b. 2-3
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composition: Op. 21, Concerto in F minor, Mvt II
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The division of the chords between the hands on the 2nd and 3rd beats of bar 2 in GE (→FE→EE) was reproduced incorrectly: contrary to A the b
category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions |
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b. 2-3
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composition: Op. 21, Concerto in F minor, Mvt II
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Both source versions of the slurring of this phrase were written by Chopin in A: two slurs in the discussed place, one in analogous bars 92-93. The slur in GE (→FE→EE) was corrected, perhaps by Chopin, however, the change applied not to the correctly rendered slurs of A but to other, erroneous slurring – the traces indicate that the original slur reached the 2nd crotchet in bar 3. Therefore, in the main text we retain the version of A, regarding the version in the editions as an equivalent variant. category imprint: Differences between sources issues: Authentic corrections of GE |
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b. 2
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composition: Op. 21, Concerto in F minor, Mvt II
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In the main text we omit the category imprint: Editorial revisions issues: Cautionary accidentals |
in 
before the top note of the octave. This patent inaccuracy was corrected in 
1 and b1 notes were assigned to the L.H.
