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b. 2-3
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composition: Op. 21, Concerto in F minor, Mvt II
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The division of the chords between the hands on the 2nd and 3rd beats of bar 2 in GE (→FE→EE) was reproduced incorrectly: contrary to A the b
category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions |
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b. 2-3
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composition: Op. 21, Concerto in F minor, Mvt II
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Both source versions of the slurring of this phrase were written by Chopin in A: two slurs in the discussed place, one in analogous bars 92-93. The slur in GE (→FE→EE) was corrected, perhaps by Chopin, however, the change applied not to the correctly rendered slurs of A but to other, erroneous slurring – the traces indicate that the original slur reached the 2nd crotchet in bar 3. Therefore, in the main text we retain the version of A, regarding the version in the editions as an equivalent variant. category imprint: Differences between sources issues: Authentic corrections of GE |
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b. 2
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composition: Op. 21, Concerto in F minor, Mvt II
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In the main text we omit the category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 2
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composition: Op. 21, Concerto in F minor, Mvt II
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The absence of a category imprint: Differences between sources issues: EE revisions , Errors in FE , Authentic corrections of FE |
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b. 2
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composition: Op. 50 No. 1, Mazurka in G major
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It is difficult to say whether the L.H. top voice rest was added in FE by Chopin or by the engraver/reviser. As it does not appear in any of the eight further repetitions of this bar and is absent in the remaining sources, we do not include it in the main text. category imprint: Differences between sources issues: Authentic corrections of FE , FE revisions |
1 and b1 notes were assigned to the L.H.
repeated in the sources before d1 on the 2nd beat of the bar.
lowering d1 to d
