Issues : Annotations in FED
b. 480
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 486
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composition: Op. 11, Concerto in E minor, Mvt III
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In the L.H. part, FE has only 2 naturals: before c at the beginning of the bar and before g in the 2nd quaver. The missing naturals were added both in GE and EE. A natural before the 3rd quaver was added also in FED and FEH. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Annotations in FEH |
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b. 498-499
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we give the fingering of FED, written probably by Chopin. A different fingering, written twice in FEH (here and in bars 502-503), may also come from lessons with Chopin. In EE, Fontana gives still another fingering, whose authenticity seems to be questionable, since the key place (e in the last triplet) features the 4th finger, much less convenient than the first one indicated in FED. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
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b. 517
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources |
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b. 520
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composition: Op. 11, Concerto in E minor, Mvt I
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In FED, there is a diagonal line written in pencil under the entire passage (from d1 to a2). Chopin would use more or less diagonal lines to, e.g. mark synchronisation of ornaments (cf. bar 403); however, in this case it does not indicate a specific note both in the left and right hand. Moreover, it does not seem to be a mark emphasising the meaning of the rest, like it is in bar . Therefore, it might have been a mark accompanying a verbal indication concerning smooth performance of the passage. category imprint: Source & stylistic information |