Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt I
In FED, there is a diagonal line written in pencil under the entire passage (from d
1 to a2). Chopin would use more or less diagonal lines to, e.g. mark synchronisation of ornaments (cf. bar 403); however, in this case it does not indicate a specific note both in the left and right hand. Moreover, it does not seem to be a mark emphasising the meaning of the rest, like it is in bar . Therefore, it might have been a mark accompanying a verbal indication concerning smooth performance of the passage.
Compare the passage in the sources »
category imprint: Source & stylistic information
issues: Annotations in teaching copies, Annotations in FED
notation: Ornaments
