Issues : Terzverschreibung error
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b. 13
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composition: Op. 28 No. 1, Prelude in C major
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In EE1 the last semiquaver in the R.H. in the 1st half of the bar is an erroneous a1 instead of an f1. The mistake was rectified in EE1a (→EE2). category imprint: Differences between sources issues: EE revisions , Errors in EE , Terzverschreibung error |
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b. 13
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composition: Op. 28 No. 18, Prelude in F minor
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EE erroneously has e category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in EE , Terzverschreibung error |
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b. 14
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composition: Op. 25 No 12, Etude in C minor
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EE has an f instead of d as the penultimate semiquaver in the L.H. A possible mistake is indicated by the compatible version – with d – in analogous bar 70. category imprint: Differences between sources issues: Errors in EE , Terzverschreibung error |
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b. 14
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composition: Op. 11, Concerto in E minor, Mvt II
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The version of GE is most probably a result of a Terzverschreibung error, perhaps repeated after FE, in which it was then corrected – it could be proved by various print faults in FE around this place. Chopin would often use this kind of grace notes in the octave texture – cf. e.g. the Concerto in F minor, op. 21, the 1st mov., bars 149-150, the Etude in B minor, op. 25, no. 11, bar 47 or Allegro de Concert, op. 46, bar 103 and 146. category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error |
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b. 16
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composition: Op. 43, Tarantella
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In GE1, undoubtedly as a result of an error, the fourth quaver in LH is f instead of d category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error |
as the 2nd L.H. semiquaver.
2 in 
