Issues : Terzverschreibung error
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b. 16
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composition: Op. 39, Scherzo in C♯ minor
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GC has here a mistaken chord e category imprint: Source & stylistic information issues: Terzverschreibung error , Errors in the number of ledger lines , Errors of GC |
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b. 16
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composition: WN 17, Polonaise in B♭ major
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PE features d2 as the upper note of the crotchet at the beginning of the bar. According to us, it is the so called Terzverschreibung, as using an incomplete chord in a typical cadenza formula ending an eight-bar section is very unlikely. Therefore, in the main text we give b category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Terzverschreibung error , Errors in PE |
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b. 16
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composition: Op. 10 No 10, Etude in A♭ major
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Both versions may be considered as justified here, both from the musical and source point of view. In the version of A Chopin avoids tripling the leading tone g1. The version of FE (→GE,EE) may be considered as accepted by Chopin, who introduced changes, among others, exactly in this bar (pedalling) while proofreading FE. The accompaniment's figure in this version has a similar scheme to the figures in the preceding bar and is identical to the figure used in bar 8. In the main text we adopt the version of the base source, i.e. FE. category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error |
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b. 17
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composition: Op. 27 No 2, Nocturne in D♭ major
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Visible in GE is the trace of correcting d double flat to BB. category imprint: Source & stylistic information issues: Terzverschreibung error |
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b. 17
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composition: Op. 43, Tarantella
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In GE1, undoubtedly as a result of an error, the fourth quaver in LH is d category imprint: Differences between sources issues: Errors in GE , Terzverschreibung error |
-f
-a-c
