Issues : Terzverschreibung error

b. 594

composition: Op. 11, Concerto in E minor, Mvt I

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The traces of proofreading prove that in FE the originally printed 5th quaver was a d1.

category imprint: Source & stylistic information

issues: Terzverschreibung error , Authentic corrections of FE

b. 634

composition: Op. 11, Concerto in E minor, Mvt I

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In FE, one can see traces of correction of the 2nd quaver from g1 to e1.

category imprint: Source & stylistic information

issues: Terzverschreibung error , Authentic corrections of FE

b. 639

composition: Op. 11, Concerto in E minor, Mvt I

g2 in FE (→EE)

b2 in GE

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The b2 note, featured in GE as the 4th quaver of the bottom voice, is either the original version or, which is much more likely considering analogous bar 623 and 627, a Terzverschreibung error. The traces of proofreading visible in FE prove that the version was initially present also in this edition, but it was changed in the last phase of proofreading.   

category imprint: Differences between sources

issues: Terzverschreibung error , Authentic corrections of FE , Errors repeated in GE

b. 655

composition: Op. 31, Scherzo in B♭ minor

d1 & d1 in A (→FCGE) & EE2 (→EE3)

f1 & e1 in FE, interpretation

d1 & e1 in EE1, interpretation

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The versions of FE and EE1 must be erroneous (in addition, FE do not contain a  before the 3rd crotchet), since a simple scheme, on which this harmonic accompaniment is based, would be distorted, without a sonic explanation. EE2 (→EE3) introduced the correct text probably on the basis of a comparison with the previous two appearances of this phrase or with GE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Terzverschreibung error , Errors repeated in EE