Issues : GE revisions
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b. 1-2
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composition: Op. 10 No 7, Etude in C major
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In A (→FE→EE,GE1→GE2) there are naturals before the upper notes on the last semiquaver of each group (b1). The unjustified accidentals were removed in GE3 (→GE4). Cf. bars 4 and 12, as well as 37-39. category imprint: Differences between sources issues: GE revisions , Cautionary accidentals , Last key signature sign |
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b. 1
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composition: Op. 10 No 9, Etude in F minor
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In the main text we give the title and dedication in the undoubtedly authentic version adopted in FE. The extensions of both the title (in GE and EE) and dedication (in EE) most probably come from the editors. See Etude in C, No. 1, bar 1. category imprint: Differences between sources issues: EE revisions , Errors in FE , Dedications , GE revisions |
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b. 1
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composition: Op. 10 No 8, Etude in F major
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In the main text we give the title and dedication in the undoubtedly authentic version adopted in FE. The extensions of both the title (in GE and EE) and dedication (in EE) most probably come from the editors. See the Etude in C major, No. 1, bar 1. category imprint: Differences between sources issues: EE revisions , Errors in FE , Dedications , GE revisions |
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b. 1-4
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composition: Op. 10 No 8, Etude in F major
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The pedalling of these bars was added by Chopin during a proofreading of FE (→GE,EE). The editors have doubts whether the moment of the pedal's release in bar 4 was correctly marked (due to harmonic reasons). Therefore, we suggest to release the pedal slightly earlier. Most probably, the reviser of GE3 (→GE4) thought alike, moving the category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: GE revisions , Authentic corrections of FE |
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b. 1-8
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composition: Op. 42, Waltz in A♭ major
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GE2 (→GE3) arbitrarily added ties to the e category imprint: Differences between sources issues: GE revisions |
mark at the end of bar 3.
1 minims. This kind of spelling conveys more distinctly the idea of a continuous 8-bar long trill four-bar long trill Chopin certainly had in mind. However, in the main text we retain the unequivocal notation of the sources. Both notations mean the same, as indicated by the different authentic spellings of the