Page: 
Source: 
p. 3, b. 62-94
p. 1, b. 1-30
p. 2, b. 31-61
p. 3, b. 62-94
p. 4, b. 95-124
Main text
Main text
As - Autograph sketch
AI - Autograph I
AII - Autograph Caraman
AIII - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Second French Edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1op - First German edition of Op. 64
GE1Db - First German edition of Waltz No 1
GE2op - Second German edition of Op. 64
GE2Db - Second German edition of Waltz No 1
GE3 - Corrected impression of GE2op
GE3Db - Third German edition of Waltz No 1
GE4Db - Revised impression of GE3Db
EE - English edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of WaW1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
As - Autograph sketch
AI - Autograph I
AII - Autograph Caraman
AIII - Autograph Rothschild
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Second French Edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1op - First German edition of Op. 64
GE1Db - First German edition of Waltz No 1
GE2op - Second German edition of Op. 64
GE2Db - Second German edition of Waltz No 1
GE3 - Corrected impression of GE2op
GE3Db - Third German edition of Waltz No 1
GE4Db - Revised impression of GE3Db
EE - English edition
EEC - Earliest English edition
EEW1 - First English edition
EEW2 - Revised impression of WaW1
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Important
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  b. 69-72

Four  with ties in AI & GE

 in AII 

 with ties in AIII

Four  with ties in A (→FEEE)

In the main text we give the notation of the trills after A (→FEEE; wavy lines in GE are – despite their compatibility with AI – most probably an arbitrary addition). One could have doubts concerning the fact of marking the four times repeated  sign, however, a comparison with the notation of the remaining autographs suggests that all mean the same: a continuous trill throughout four bars.
In As after bar 68 a counterpart of bar 77 follows. 

Compare the passage in the sources »

category imprint: Differences between sources

issues:

notation: Ornaments

Missing markers on sources: EEC, FE1, FED, FES, As, AII, A, AI, AIII, EEW1, GE1Db, GE1op, GE2Db, GE2op, GE3Db, GE4Db, GE3, EEW2, FE2