Issues : Errors in GE

b. 1

composition: Op. 35, Sonata in B♭ minor, Mvt II

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In GE, there is a  sign between the first octaves in the L.H. It is a result of misinterpretation of the 1 numeral, with which the bar was provided in GC – see the note on abbreviated notation. The sign was repeated in EE2, by moving it in front of the 1st octave of the bar.

category imprint: Differences between sources

issues: Errors in GE

b. 1-22

composition: Op. 21, Concerto in F minor, Mvt I

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In GE the entire first Tutti is written in a font of a normal size, clearly against the notation of A and generally applied rules of publication of solo versions of works with orchestra. Therefore, we consider it a patent mistake, which we reproduce only in the version "transcription." One can wonder why nobody paid attention to it when preparing GE2, generally carefully revised on the basis of A. FE (→EE) did not repeat this error, which seems to be an editorial decision, perhaps consulted with Chopin.

category imprint: Differences between sources

issues: Errors in GE , FE revisions

b. 1-3

composition: Op. 21, Concerto in F minor, Mvt I

L.H. slur in A

Slurs in GE1 (→FEEE)

Slurs in GE2

Our alternative suggestion

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Upon seeing the slur of A led over the part of the L.H., impossible to reproduce in print in this form, the engraver of GE1 (→FEEE) divided it into three parts to make it easier. According to us, the bottom slur is an addition by Chopin, who added a slur confirming the will expressed in A to embrace the part of the L.H. with one slur. In this context, it does not seem that Chopin would care about double slurs – the divided top slurs were most probably left in order to avoid an excessively complicated proofreading; it could have been a decision of the engraver or of Chopin. The added slur, although it is generally compliant with the slur of A, is, however, longer. Both versions make sense since the slur of A, led over the part of the L.H., reaches a, which is then repeated, while the slur of GE, running from the bottom voice, embraces the entire bass line, in accordance with the phrasing of the R.H. In this situation, in the main text we reproduce the slur of A and we suggest the slur added in the proofreading of GE1 as an equal variant.

category imprint: Differences between sources

issues: Errors in GE , GE revisions , Authentic corrections of GE

b. 1

composition: Op. 21, Concerto in F minor, Mvt I

in A

in GE (→FEEE)

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Change of the time signature from  to  is one of the most characteristic inaccuracies of first editions of Chopin's works – see e.g. the Sonata in B minor, Op. 35, 1st mov., bar 1.

category imprint: Differences between sources

issues: Errors in GE , 4/4 or 2/2 , Errors repeated in FE , Errors repeated in EE

b. 1-2

composition: Op. 11, Concerto in E minor, Mvt I

Slur in Atut (→FEEE,GE1GE2)

No slur in GE3

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The missing slur in GE3 seems to be an oversight.

category imprint: Differences between sources

issues: Errors in GE