Issues : Errors in GE

b. 552

composition: Op. 39, Scherzo in C♯ minor

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The double sharp raising cto c2 omitted in GE1 was supplemented in GE2.

category imprint: Differences between sources

issues: Errors in GE

b. 556

composition: Op. 39, Scherzo in C♯ minor

 in EE

GC and GE2

No markings in GE1

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In the main text we present the GC and GE2 pedalling, the only sources where these marks are notated without mistakes or inaccuracies. 

category imprint: Differences between sources

issues: Inaccuracies in FE , Errors in GE , EE inaccuracies

b. 556

composition: Op. 11, Concerto in E minor, Mvt I

Rhythm in FE (→EE) & GE3

Rhythm in GE1 (→GE2)

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In the version of GE1 (→GE2), the first 4 notes and rest constitute an unmarked semiquaver quintuplet. Nothing points to authenticity of that version, although it is practically very close to the actual performance – see the commentary to the Scherzo in C​​​​​​​ Minor, Op. 39, bar 47. The version of GE3 was probably introduced on the basis of analogy with similar bars of exposition. 

Like in bar 197, 199 and 201, in FE one can see traces of swapping rhythmic values of the 2nd and 3rd notes – initially, the 2nd note was a semiquaver, whereas the 3rd one – a demisemiquaver.  

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Errors in GE , GE revisions , Authentic corrections of FE , Inserted rest

b. 560

composition: Op. 11, Concerto in E minor, Mvt I

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In GE1 (→GE2), there is no  raising d2 to d2. The patent mistake was corrected in GE3.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 560

composition: Op. 31, Scherzo in B♭ minor

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GE1 overlooked the arpeggio sign before the L.H. chord. It was reinstated in GE2 (→GE3).

category imprint: Differences between sources

issues: Errors in GE , GE revisions