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Source:
p. 5, b. 49-61
FES - Stirling copy
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The traces of erasing visible in A still allow us to decipher that initially the 4 bass notes in those bars had been A flat-A flat-A flat-A flat1. Eventually Chopin changed them in A to A flat1-A flat-A flat1-A flat. Cf. similar alterations of the same notes in the Polonaise in C sharp minor Op. 26 no. 1, bars 45 and 52-53. Cf. later overlapping changes in teaching copies.
category imprint: Corrections & alterations
issues: Corrections in A, Accompaniment changes
notation: Pitch
Missing markers on sources:
FE1, FEFr, FED, GE1, FEJ, FES, EE1, EE3, GE2, GET