Page: 
Source: 
p. 6, b. 83-97
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
GE2 - Second German edition
Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 83-97

No L.H. marks in GE1 & FE (→EE)

Staccato dots in GE2

As was the case with slurs – see previous note – the staccato dots added in GE2 under the L.H. quavers certainly indicate the articulation as envisioned by Chopin. However, in such contexts Chopin would generally not duplicate the markings.
The missing dot under A on the 2nd beat of b. 83 is most probably the reviser's inadvertence.

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES