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Source:
p. 8, b. 134-158
EE1 - First English edition
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The cut of the bars after the fermata is present in FE (→GE,EE) and was most probably present already in [A]. We reproduce it in the main text, since it was certainly intended by Chopin and has a musical meaning – it emphasises the fermata and the following change of character (a tempo, , dolce). There is a similar situation in bar 290.
Compare the passage in the sources »
category imprint: Source & stylistic information
issues:
notation: Shorthand & other
Missing markers on sources:
FE1, FEJ, GE1, GE2, EE1, EE2, EE3