Shorthand & other
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b. 38
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composition: Op. 16, Rondo in E♭ major
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In the sources, the bar is not divided, while the chord at the beginning of the bar is a dotted minim. category imprint: Editorial revisions |
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b. 143
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composition: Op. 16, Rondo in E♭ major
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The cut of the bars after the fermata is present in FE (→GE,EE) and was most probably present already in [A]. We reproduce it in the main text, since it was certainly intended by Chopin and has a musical meaning – it emphasises the fermata and the following change of character (a tempo, category imprint: Source & stylistic information |
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b. 295
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composition: Op. 16, Rondo in E♭ major category imprint: Source & stylistic information |
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b. 468
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composition: Op. 16, Rondo in E♭ major
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In FE (→GE), the octave doubling of the E category imprint: Differences between sources issues: EE revisions , Abbreviated octaves' notation |
, dolce). There is a similar situation in bar 290.
note is written in an abbreviated manner with the help of 8.