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p. 2, b. 19-38
p. 1, b. 1-18
p. 2, b. 19-38
p. 3, b. 39-56
p. 4, b. 57-75
EE - English edition
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Afin - Autograph fragment of Finale
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FE3 - Third impression of FE
FE4 - Fourth impression of FE
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FES - Stirling copy
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GE2 - Corrected impression of GE
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GC - Gutmann's Copy
Afin - Autograph fragment of Finale
FE - French edition
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FESch - Scherbatoff Copy
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  b. 35-37

g-g1 in GC (→GE) & FE (→EE1)

g-g1 suggested by the editors

g-g1 in EE2

In the majority of the sources there are no accidentals before the 5th quaver in bars 35-36 and 3rd quaver in bar 37, which means that both these notes and their repetitions are to be interpreted as g-g1. The naturals added in EE2 are an arbitrary revision, probably aiming at bringing these bars – as far as the sound is concerned – to the F minor key and its dominant chords c-e-g-b and e-g-b-d.
In the main text, in bar 35 we add cautionary flats before these notes.

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category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions

notation: Pitch

Missing markers on sources: FESch, FES, FED, Afin