Issues : Cautionary accidentals
|
b. 297
|
composition: Op. 2, Variations, complete
..
In the main text we omit the category imprint: Editorial revisions issues: Cautionary accidentals |
|
|
b. 299
|
composition: Op. 2, Variations, complete
..
In the main text we add cautionary naturals to g1, a1 in the R.H. and to a, A in the L.H. AsI contains two of them, before a1 and A, while category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals , Authentic corrections of FE |
|
|
b. 301
|
composition: Op. 2, Variations, complete
..
The cautionary natural specifying the sound of the 2nd semiquaver was added in the stage of proofreading FE1 (→FE2), probably at Chopin's request. It is worth noting that it was only in the editions that a clear need for this accidental manifested itself, in which the last semiquaver in the previous bar is provided with a flat – in A there is no accidental to any of these notes. category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
|
|
b. 321-322
|
composition: Op. 2, Variations, complete
..
In A there are no accidentals to the last semiquaver on each beat of the bar – Chopin considered the accidentals written to the earlier notes placed an octave lower to be valid (AsI is slightly more accurate, since it includes a category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Cautionary accidentals , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
|
|
b. 321
|
composition: Op. 2, Variations, complete
..
In the main text we omit the category imprint: Editorial revisions issues: Cautionary accidentals |
to e1 in the 3rd semiquaver triplet, unnecessarily repeated in the sources. In 
to d
2 in the 4th triplet, since d3, occurring a moment later, may raise doubts as to the sound of this note.
to c
2 in bar 321). In