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Issues : EE revisions
b. 25
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composition: Op. 2, Variations, complete
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The accents in A are shorter than the ones over the bass notes in this bar, but the difference is so insignificant that it is uncertain which marks Chopin meant here. The absence of marks in both impressions of FE is either an oversight or a revision – the latter seems more likely, especially in the case of FESB, which was based on GE2, during the final period of its presence on the market, hence when the plates must have already been as worn out as evidenced by the copy presented in our system. Upon seeing the very clear outlines of the removed elements, they could have assumed that the accents over d1 were the remaining elements of the initial, misplaced marks and that it is only the accents over the bass notes that should stay. Anyways, a possible change introduced by Chopin while proofreading FE1 seems less likely than one of the above possibilities. category imprint: Differences between sources issues: Long accents , EE revisions , Errors in FE |
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b. 25-27
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composition: Op. 2, Variations, complete
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The length of the five accents over each subsequent bass note differs in A – they get shorter with each note; however, it is an inaccuracy of notation, since it is only the last accent that could be considered short (but in a different context). In GE1 (→GE2,FE) the accents are not homogeneous either, but it is most probably also due to graphical reasons – the shortest accent, over e category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , EE revisions |
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b. 30-32
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composition: Op. 2, Variations, complete
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As before, FE, and particularly EE1, distorted the notation of the accompaniment by placing some (FE) or all (EE1) dotted crotchets directly next to the minims, which suggests that they should be performed simultaneously. In EE2 (→EE3), the misleading notation of EE1 has been partially corrected. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE |
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b. 39-40
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composition: Op. 2, Variations, complete
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As in b. 35-36, in A Chopin overlooked some necessary accidentals, mainly in b. 40 – a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A |
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b. 40-41
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composition: Op. 2, Variations, complete
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In addition to the category imprint: Editorial revisions; Corrections & alterations issues: EE revisions , Corrections in A , Errors resulting from corrections , Errors of A |