EE1
Main text
AsI - Working autograph of score
A - Autograph fair copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE3 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FESB - Later French edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
compare
  b. 25-27

Long accents in A (→GEFE)

Vertical accents in EE

The length of the five accents over each subsequent bass note differs in A – they get shorter with each note; however, it is an inaccuracy of notation, since it is only the last accent that could be considered short (but in a different context). In GE1 (→GE2,FE) the accents are not homogeneous either, but it is most probably also due to graphical reasons – the shortest accent, over e, was squeezed in between the notes of the top voice and could not have been longer. The accents in GE3 are also long, while the ones in FESB could be considered long. By contrast, in EE the horizontal accents were replaced with vertical ones, which was a frequent arbitrary decision in Wessel's publications; a similar change was performed, e.g. in this entire line, see the adjacent note and bar 27.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents, EE revisions

notation: Articulation, Accents, Hairpins

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