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b. 95

composition: Op. 2, Variations, complete

No repeat sign in AsI & GE (→FE,EE,FESB)

Repeat sign in A

category imprint: Differences between sources; Corrections & alterations

b. 111

composition: Op. 2, Variations, complete

Repeat sign in AsI

No repeat in A (→GEFE,EE,FESB)

..

The version of AsI, in which it is also the second part of this variation that was repeated, b. 112-127 (in b. 112 the repeat sign is marked only with an additional double bar line; its meaning becomes clear in b. 127, with two volte), was initially also in A, which can be determined on the basis of the visible corrections – to the right of the double bar line following b. 111, one can see traces of erasure of 4 dots, which, together with that line, constituted a repeat sign. In A, a respective deletion is also at the end of this part, where the 1st volta of b. 127 was deleted.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Changed phrase length

b. 127

composition: Op. 2, Variations, complete

2 endings in AsI

No repeat in A (→GEFE,EE,FESB)

..

In AsI, there are 2 versions of this bar – the 1st volta, slightly different from the 2nd volta of b. 111, with a repeat sign at the end, and the 2nd volta, generally compliant with the final text. The repetition of b. 112-127 was initially also present in A, in which, however, Chopin removed it by deleting the bar creating the 1st volta of b. 127 and erasing the 2nd volta marking over the bar containing the ending of the solo part.

category imprint: Differences between sources; Corrections & alterations; Source & stylistic information

issues: Corrections in A , Deletions in A , Changed phrase length

b. 128-131

composition: Op. 2, Variations, complete

No octaves after AsI

Octaves in A (→GEFE,EE,FESB)

..

In A the L.H. octaves are written in an abridged manner with the use of the con 8va indication. The editions explained the abbreviation. The absence of the indication in AsI may be an earlier version or a simplified notation of the obvious.

category imprint: Differences between sources

issues: GE revisions , Bass register changes , Abbreviated octaves' notation

b. 137-139

composition: Op. 2, Variations, complete

..

In these bars, in AsI the L.H. part is marked in an abridged manner with the word unisono, written in each bar. There is a similar situation further on, until the end of this variation (b. 167).

category imprint: Differences between sources

issues: Abbreviated notation of A