b. 40-41
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composition: Op. 2, Variations, complete
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In addition to the mark at the end of b. 39, A (→GE→FE,EE) includes the same mark also before the 1st chord in b. 41. A more detailed analysis of A reveals that in the middle of b. 40 there were initially marks, eventually erased and most probably replaced with the first mark. Therefore, it seems that Chopin initially wrote two pedals in b. 39-40, one from the 2nd beat of b. 39 to the middle of b. 40 and another encompassing the 2nd half of b. 41 (to the preserved mark) before shortening the first pedal and removing the second, inadvertently leaving the asterisk at the beginning of b. 41. EE added the allegedly overlooked mark yet without taking into account the change of chord in the middle of the bar; this pedalling cannot come from Chopin. category imprint: Editorial revisions; Corrections & alterations issues: EE revisions , Corrections in A , Errors resulting from corrections , Errors of A |
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b. 40
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composition: Op. 2, Variations, complete
category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Chopin's hesitations , Accompaniment changes , Main-line changes |
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b. 41-42
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composition: Op. 2, Variations, complete
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Due to the reasons discussed in b. 37-38 (the ties could have been overlooked by Chopin), we consider the version of AsI an acceptable variant. category imprint: Differences between sources issues: Errors of A |
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b. 41
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composition: Op. 2, Variations, complete category imprint: Differences between sources issues: GE revisions , Authentic corrections of GE |
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b. 42
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composition: Op. 2, Variations, complete category imprint: Editorial revisions issues: Scope of dynamic hairpins , Inaccuracies in A |