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b. 22

composition: Op. 2, Variations, complete

..

In A one can see traces of a correction concerning the range and placement of the slur; initially, it began from the grace notes and was placed under the notes.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A

b. 23

composition: Op. 2, Variations, complete

in A

in GE (→FE,EE)

in FESB

category imprint: Differences between sources

issues: Inaccuracies in GE , Scope of dynamic hairpins , Revisions in FESB

b. 23

composition: Op. 2, Variations, complete

staccato & dots in AsI

Wedges in A (→GEFE,EE,FESB)

category imprint: Differences between sources; Corrections & alterations

b. 24

composition: Op. 2, Variations, complete

Slur in A (→GEFE,EE)

No slur in FESB

..

The lack of a slur in FESB is probably an oversight by the engraver.

category imprint: Differences between sources

issues: Errors in FESB

b. 25

composition: Op. 2, Variations, complete

e in A, FE, FESB & GE3

e in GE1 (→GE2,EE)

..

The version of GE1 (→GE2,EE), featuring e, is almost certainly erroneous – there are no traces of removal of the , despite the numerous traces of corrections visible in this and adjacent bars (very clear in GE2) related to the misinterpreted L.H.-part rhythm. The overlooked  was added by FE and FESB.
EE revised the version of GE1 by removing the  to e in the 2nd half of the bar, unnecessary due to the missing  at the beginning of the bar.

category imprint: Differences between sources

issues: EE revisions , Errors in GE , Authentic corrections of FE , FE revisions