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The triad in the original version in As, identical to the version of the analogous bar 10, was replaced by a sixth in the published version. Chopin seems to have strived to concentrate expression, i.a. through stricter control of the voices – cf. e.g. bar 25.
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category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations; Source & stylistic information
issues: Accompaniment changes
notation: Pitch