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Articulation, Accents, Hairpins
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Articulation, Accents, Hairpins

b. 32

composition: Op. 63 No. 1, Mazurka in B major

 in AI, literal reading

Long accent in AI, contextual interpretation

No marking in FE (→GE,EE)

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents

b. 40-42

composition: Op. 63 No. 1, Mazurka in B major

12 staccato dots in AI, contextual interpretation

staccato dot in FE (→GE1,EE)

No dots in GE2 (→GE3)

..

In AI Chopin continues the division into a melodic voice, encompassed with a slur, and accompanying voices, provided with staccato dots over the parts of both hands. It is only in bar 41 that a dot is missing, over the E-e octave, which must have resulted from the lack of space between the L.H. e and the R.H. g. In the content transcription (version 'edited text') we add this mark.
A single dot in FE (→GE1,EE) is probably a mistake by the engraver, added 'due to momentum,' which is confirmed by analogous 50, where there is no dot. Therefore, in the main text we do not include it, as in GE2 (→GE3).
Moreover, in the published version the R.H. chords are written without division into voices, and those on the 3rd beat of the bar are provided with accents.

category imprint: Differences between sources; Corrections & alterations

issues: Errors in FE , GE revisions

b. 69

composition: Op. 63 No. 1, Mazurka in B major

Staccato dot in AI

No mark in FE (→GE,EE)

..

While preparing the Mazurka for print, Chopin forwent all staccato marks in the repetition of the main theme.

category imprint: Differences between sources; Corrections & alterations

b. 70-82

composition: Op. 63 No. 1, Mazurka in B major

Staccato dots in AI

No dots in FE (→GE,→EE)

category imprint: Differences between sources; Corrections & alterations

b. 71

composition: Op. 63 No. 1, Mazurka in B major

No mark in AI

Accent in FE (→GE,EE)

category imprint: Differences between sources; Corrections & alterations