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p. 7, b. 110-125
p. 1, b. 1-21
p. 2, b. 22-40
p. 3, b. 41-55
p. 4, b. 56-73
p. 5, b. 74-90
p. 6, b. 91-109
p. 7, b. 110-125
p. 8, b. 126-140
p. 9, b. 141-155
p. 10, b. 156-172
p. 11, b. 173-187
p. 12, b. 188-205
p. 13, b. 206-223
p. 14, b. 224-244
p. 15, b. 245-264
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FED - Dubois copy
GE - German edition
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GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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FE - French edition
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GE - German edition
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GE3 - Revised impression of GE2
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  b. 124

L.H. long accent in A

R.H. long accent in FE

R.H. short accent in GE

in EE

Due to the high position of the chord, the clear long accent over the L.H. chord is partially on the top stave in A, as a result of which FE (→GE,EE) linked it to the R.H. part. Consequently, the mark was also moved horizontally, hence in FE it looks like a long accent under the dquaver. This is how it was understood in GE, in which, however, it was reduced to the size of a common short accent. EE considered the mark a short diminuendo and slightly shifted it to the left.

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Long accents, Inaccuracies in GE, Inaccuracies in FE, Inaccuracies in A

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FE1, FE2, FED, GE1, GE2, GE3, GE4, GE1a, EE1, EE2, EE3