Page: 
Source: 
p. 11, b. 173-187
p. 1, b. 1-21
p. 2, b. 22-40
p. 3, b. 41-55
p. 4, b. 56-73
p. 5, b. 74-90
p. 6, b. 91-109
p. 7, b. 110-125
p. 8, b. 126-140
p. 9, b. 141-155
p. 10, b. 156-172
p. 11, b. 173-187
p. 12, b. 188-205
p. 13, b. 206-223
p. 14, b. 224-244
p. 15, b. 245-264
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Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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Rhythm
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Articulation, Accents, Hairpins
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Pedalling
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
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  b. 185

at end of bar in sources

 under b, our alternative suggestion

The  asterisk having been removed at the end of the bar in A and added under b, as in b. 180-181, is a reason for the suggested alternative version of pedalling. As Chopin considered a whole-bar pedal unsuitable for b. 184, there is no visible reason to apply it in b. 185, which is almost identical. Actually, there is a number of situations in which Chopin omits an intended correction in one of a few places, cf., e.g. the Etude in E, Op. 10 No. 3, b. 33Prelude in B, Op. 28 No. 21, b. 36 or the Concerto in E minor, Op. 11, I mov., b. 50-51.

Compare the passage in the sources »

category imprint: Interpretations within context; Editorial revisions

issues: Omitted correction of an analogous place

notation: Pedalling

Missing markers on sources: A, FE1, FE2, FED, GE1, GE2, GE3, GE4, GE1a, EE1, EE2, EE3