Shorthand & other
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b. 54-55
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composition: Op. 23, Ballade in G minor
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In A, the 2nd group of quavers in b. 54 and both in b. 55 are marked in an abridged manner as a repetition of the 1st group in b. 54. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 127-129
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composition: Op. 23, Ballade in G minor
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In A, bars 127 and 129 are written down in an abridged manner as a repetition of the preceding bar. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 139-140
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composition: Op. 23, Ballade in G minor
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In A, the parts of both hands in b. 139 and the R.H. part in b. 140 are marked in an abridged manner with •/• signs. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 143
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composition: Op. 23, Ballade in G minor
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In A, this bar is marked with •/• signs as a repetition of the preceding one. category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 179
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composition: Op. 23, Ballade in G minor
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The traces of corrections performed in print of FE reveal that each of the three octaves in the 1st half of the bar was initially written down without division into parts, on one stem pointing downwards. The corrections in A suggest that Chopin introduced a similar change into A – the removed elements correspond to the octaves provided with stems pointing upwards only. It may be another case of "parallel" corrections of A and FE1 – see the description of that edition. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Authentic corrections of FE , FE revisions |