![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Inaccuracies in FE
b. 68-69
|
composition: Op. 23, Ballade in G minor
..
It is uncertain where the L.H. slurs should start in these bars. In A, it seems that the slurs run from the 2nd crotchet of the bar, but the interpretation of A on the basis of a photograph is always prone to error. On the other hand, the engraver of FE (→GE,EE) would often put slurs in a routine manner, adjusting them to the rhythmic structures (e.g. in b. 32-33, 35 or 37-39). In the main text we adopt a hybrid solution, i.e. we consider only the slur of A in b. 69 to be inaccurate (cf. the unequivocal slur in identical b. 77). The source versions can be regarded as equal variants. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A |
|||||||||||||
b. 72
|
composition: Op. 23, Ballade in G minor
..
The second category imprint: Differences between sources issues: Inaccuracies in FE , GE revisions |
|||||||||||||
b. 80
|
composition: Op. 23, Ballade in G minor
..
The position of the first category imprint: Editorial revisions |
|||||||||||||
b. 102-104
|
composition: Op. 23, Ballade in G minor
..
Out of the six category imprint: Differences between sources issues: Long accents , Errors in FE , Inaccuracies in FE |
|||||||||||||
b. 124
|
composition: Op. 23, Ballade in G minor
..
Due to the high position of the chord, the clear long accent over the L.H. chord is partially on the top stave in A, as a result of which FE (→GE,EE) linked it to the R.H. part. Consequently, the mark was also moved horizontally, hence in FE it looks like a long accent under the d category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in GE , Inaccuracies in FE , Inaccuracies in A |