Issues : Authentic corrections of FE
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b. 41
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composition: Op. 23, Ballade in G minor
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In the main text we add a cautionary category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals , Authentic corrections of FE , FE revisions |
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b. 43
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composition: Op. 23, Ballade in G minor
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FE1 overlooked the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE |
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b. 44
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composition: Op. 23, Ballade in G minor
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The two accents in FE must have resulted from Chopin's proofreading; apparently, he decided to homogenise the markings in b. 44 and 46. Taking into account the fact that the accents of A in b. 46 are clearly long, which, however, were reproduced by FE as short, we assume that it is also in b. 44 that Chopin most probably wanted to have long accents; this is the solution we adopt in the main text. category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Long accents , Inaccuracies in FE , Authentic corrections of FE |
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b. 47
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composition: Op. 23, Ballade in G minor category imprint: Differences between sources; Editorial revisions issues: Cautionary accidentals , Authentic corrections of FE , FE revisions |
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b. 49-51
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composition: Op. 23, Ballade in G minor
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The additional d1 and d minims in b. 49 and 51 were added in the stage of proofreading FE1, undoubtedly by Chopin, along with the pedalling. See also b. 110-111. category imprint: Differences between sources issues: Authentic corrections of FE |
to f1. Chopin wrote in this bar a cautionary 
raising f1 to f
1. All the remaining sources contain the correct text.
