Issues : EE inaccuracies

b. 170-172

composition: Op. 23, Ballade in G minor

 in A, literal reading

in FE

in GE

in EE

 suggested by the editors

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The interpretation of the three  marks in A can be approached from different angles:

  • Literal interpretation, in which the range of the marks is related to the respective R.H. crotchets, which results in three increasingly shorter marks. Such a version, suggesting increasingly shorter and milder crescendos, matches the descending direction of this sequence;
  • the difference in the range of the first two marks may be regarded as insubstantial, which suggests that all three hairpins should be unified, since the shape of the melody is the same in each bar. We suggest this version in the main text.

The versions of the editions resulted from the marks in b. 170-171 having been unified; none of these changes resembles Chopinesque proofreading process.

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins , EE inaccuracies , Inaccuracies in A

b. 218-223

composition: Op. 23, Ballade in G minor

Long accents in A (→FE)

Short accents in GE & EE

..

GE and EE considered the longer accent under a1, exceptionally accurately reproduced by FE after A, an inaccuracy of notation. The same applies to the beginning of b. 223.

category imprint: Differences between sources

issues: Long accents , Inaccuracies in GE , EE inaccuracies