A
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
GE3 - Revised impression of GE2
GE4 - Corrected impression of GE3
GE1a - Album German edition
EE - English edition
EE1 - First English edition
EE2 - Amended impression of EE1
EE3 - Revised impression of EE2
compare
  b. 95-102

In A, Chopin omitted a number of naturals to e notes:

  • to e2 and e in b. 95 and 99,
  • to E in b. 96 and 100,
  • to e in b. 101 and 102.

Most likely, we are not dealing with oversights, since we can observe a rule followed by Chopin – in each bar and on each stave, he would put an accidental the first time a given note appeared and would not repeat it before subsequent notes, even if they appeared in a different octave. In b. 99 one can see removed naturals to e1 and e on the 5th crotchet in the bar, which proves that the rule was applied consciously.

The editions would be gradually adding the missing naturals:

  • FE added accidentals to e in b. 99 and 101-102;
  • GE added all the accidentals that were missing in FE, hence the version of GE is fully correct;
  • in EE1, the accidentals repeated after FE were supplemented by a  to E in b. 100, while EE2 also added both naturals to e2 (b. 95 and 99). EE3 contains all the necessary naturals.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: EE revisions, Accidentals in different octaves, GE revisions, Inaccuracies in A, Errors repeated in FE, Errors repeated in EE

notation: Pitch

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