Page: 
Source: 
p. 2, b. 17-34
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 24-26

No marks in GE1 & FE (→EE)

Accents & dots in GE2

GE2 arbitrarily repeated in the L.H. part the accents and dots placed below or above the R.H. part. However, the last accent in bar 24 was omitted (also overlooked in the R.H.) as well as the staccato dot under Fis1 on the 3rd beat of bar 26. The addition was related to the entire R.H. part having been placed on the upper staff. The authentic layout in this kind of homogenous texture clearly suggest applying marks put over the R.H. to all underlying notes.

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES