mUltimate Chopin

Op. 44, Polonaise in F♯ minor

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Page: 
Source: 
p. 11, b. 186-214
p. 1, b. 1-16
p. 2, b. 17-34
p. 3, b. 35-48
p. 4, b. 49-64
p. 5, b. 65-82
p. 6, b. 83-97
p. 7, b. 98-112
p. 8, b. 113-126
p. 9, b. 127-157
p. 10, b. 158-185
p. 11, b. 186-214
p. 12, b. 215-243
p. 13, b. 244-267
p. 14, b. 268-281
p. 15, b. 282-295
p. 16, b. 296-309
p. 17, b. 310-326
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Main text
GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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GE - German edition
GE1 - First German edition
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
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  b. 186-188

Slurs from acciaccaturas to g1-b1 in GE

No slurs in FE1

Slur from grace notes to E in bar 186 in FE2 & EE

In the entire middle section, each time this theme appears, the grace notes go with the R.H. melody (cf. b. 129, 148-149, 206-208), hence we follow here GE, considering the version of FE2 (→EE) to be a an inept revision.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, FE revisions

notation: Slurs

Missing markers on sources: GE1, GE2, FE1, FE2, EE1, EE2, EE3, FES
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