Issues : Main-line changes
b. 94
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we give the enhanced version Chopin introduced while proofreading FE (→EE). A similar change was entered into b. 96; in both places one can see traces of changes being performed in print. The same applies to analogous b. 118 and 120. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Errors resulting from corrections , Omission of current key accidentals , Authentic corrections of FE , Main-line changes |
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b. 96
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composition: Op. 44, Polonaise in F♯ minor
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As was the case with b. 94, in the main text we give the enhanced version Chopin introduced while proofreading FE (→EE). In this place, traces of changes being performed in print are perfectly visible. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes |
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b. 118
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composition: Op. 44, Polonaise in F♯ minor
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In the main text we give the text corrected by Chopin in FE (→EE) – all the sources have versions strictly analogous to b. 94. Likewise in b. 120. category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: EE revisions , Errors resulting from corrections , Authentic corrections of FE , Main-line changes |
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b. 120
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composition: Op. 44, Polonaise in F♯ minor
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As was the case with b. 96, in the main text we give the version corrected by Chopin in FE (→EE). category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes |
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b. 143
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composition: Op. 44, Polonaise in F♯ minor
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The delay of the resolution of the d2 seventh is an improvement Chopin introduced while proofreading FE (→EE). A similar situation can be found in b. 163. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes |