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Slurs

b. 144-145

composition: Op. 44, Polonaise in F♯ minor

1 slur in GE & FE

..

The additional slur is an arbitrary revision by EE.

category imprint: Differences between sources

issues: EE revisions

b. 147-150

composition: Op. 44, Polonaise in F♯ minor

No slurs in GE & EE

1 slur in FE

2 slurs suggested by editors

..

In accordance with the explanation in the note to b. 127, in the main text we follow FE and suggest adding a slur (in square brackets) in the second pair of bars. The missing slur in EE may be explained by an oversight of the engraver; however, due to the absence of the discussed bars in FE1, it cannot be ruled out that the slur had already been absent in that edition.

category imprint: Differences between sources; Editorial revisions

issues: Errors in EE , Authentic corrections of FE

b. 159-161

composition: Op. 44, Polonaise in F♯ minor

Slur in GE

No slur in FE (→EE)

..

The missing slur in FE (→EE) is probably an oversight of the copyist or of the engraver.

category imprint: Differences between sources

b. 159-161

composition: Op. 44, Polonaise in F♯ minor

e repeated in GE

e tied in FE (→EE)

..

A comparison with analogous b. 140-141 indicates that it is the oversight that is the most likely reason for the absence of the tie to e in GE.

category imprint: Differences between sources

issues: Inaccuracies in GE

b. 162-163

composition: Op. 44, Polonaise in F♯ minor

Slur to b1 in GE1 & FE (→EE)

Slur to bar 163 in GE2

..

The slur of the majority of the sources was probably inaccurately written by Chopin in [A]. It could also be the initial version, left by inadvertence, changed in the remaining places at the time of writing [A]. Therefore, in the main text we suggest a longer slur, compliant with all analogous bars (142-143 and 201-202). The slurring of those places was similarly standardised in GE2.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions